I thought that i would need time much time to come back to literature and to the process of reading huh i am again there and a list of books is ready:)
the adventure with Fowles has started:)

The second thing which bothers me is that once i saw Pamuk in the list of postmodernists. Frankly speaking i failed to see at least some minor features of postmodernism in his two works ...My curiousity doesnt want to leave in peace thats why the only way is to read all his book and to judge by myself if we can add his books to thsi trend or not:)

have finished reading Orhan Pamuk's "The museum of innocence" , almost 600 pages dedicated to the fight for lost love. The hero is undergoing his own invented hell with thousands of things touched by his beloved, smelling every tiny trifle for making his pain weaker. The love in the eastern style with a taste of melancholy and fate.

Hamster

Hamster: "This lively pet hamster will keep you company throughout the day. Watch him run on his wheel, drink water, and eat the food you feed him by clicking your mouse. Click the center of the wheel to make him get back on it."

In the process of reading the biography of Garcia Marquez. Only 100 pages are covered but this material is crucial for understanding his works.Now Columbia seems for me as a country immersed in its dreamy state of mythology, far from realiness like a place where dreams and imaginary are combined with harsh reality, a place with vague frames of reality.
Garcia was lucky to be brought up by his grandparents in Aracataca.His grandmother influenced Marquez greatly, being a very superstitious she could see a bad sign everywhere. She had a passion for retelling her dreams, which was used by Marquez in ONe Hundred Years of Solitude. His grandfather was also an important figure in his childhood. He was the one who linked Marquez with reality. Someone who taught him about a civil war, a teller of hilarious days in his country.
These seven years were a source for his futher creations and helped him to establish himself as a writer.
Reading these data, i want to read his novels again. I still remember the feeling of pleasure and bewilderment from One hundred years of Solitude...

Анджей Стасюк (пол. Andrzej Stasiuk, 25 вересня 1960, Варшава) — польський поет, прозаїк, драматург.

Творчість
Мури Геброну / Mury Hebronu (1992)
Вірші любовні й не зовсім / Wiersze miłosne i nie (1994)
Білий крук / Biały kruk (1995)
Галицькі оповідання / Opowieści galicyjskie (1995)
Через ріку / Przez rzekę (1996)
Дукла / Dukla (1997
Дві п'єси (телевізійні) про смерть / Dwie sztuki (telewizyjne) o śmierci (1998)
Як я став письменником (спроба інтелектуальної біографії) / Jak zostałem pisarzem (próba autobiografii intelektualnej) (1998)
Дев'ять / Dziewięć (1999, укр. пер. 2001)
Моя Європа / Moja Europa. Dwa Eseje o Europie Zwanej Środkową (2000, у співавторстві з Юрієм Андруховичем, укр. пер. (2001)
Картонний літак / Tekturowy samolot (2000)
Opowieści wigilijne (2000, у співавторстві з Ольгою Токарчук і Єжи Пільхом
Зима / Zima (2001)
Дорогою на Бабадаґ / Jadąc do Babadag (2004), укр. пер. (2007)
Ніч. Слов'янсько-німецький медичний трагіфарс / Noc. Słowiańsko-germańska tragifarsa medyczna (2005)
Фадо / Fado (2006, укр. пер. 2009)
Темний ліс / Ciemny las (2007)
Дойчлянд / Dojczland (2007)
Таксім / Taksim (2009)
"Фадо" це мандри до Європи, яка збереглась розмитими контурами на старих картах. Віднайдення власної ідентичності через розмитий відлік часу. Поява нових соціологічних маркерів і затирання історичної памяті. Це спроба охопити уламки часу і поєднати із невиразністю сучасності. Європа і її карколомні контури ...